The artistic scene in Montego Bay is very well-nourished, or so one would think from the sizable crowd that squeezed into Blue Beat Jazz and Martini Bar last Saturday night for the poetry-and-music affair. I am acutely aware that the coverage is also sorely lacking, as I sit here penning this write-up almost one full week later.
Lyrical Eloquence Reloaded is the sequel to Lyrical Eloquence, a night of poetry and fashion where poets, musicians and designers gathered to share their craft and mingle with like-minded creatives. This iteration, with less fashion and more music and poetry, was thematically centered on Black History – apropos of the month of February.
Like so many events in this country, Lyrical Eloquence could not escape the trap of island time, and the programme didn’t start until an hour after the scheduled 8:30pm. Nevertheless the ensuing performances were at turns delightful and thought-provoking.
MC’d by the gracious Brian Brown, whose quick pace did much to move the evening along, Lyrical Eloquence Reloaded featured performances from Montegonian talent and some further afield. For me, the surprises of the night were two as-yet-undiscovered gems: Kali Grn and D Reblz, and Jeeby Lyricist.
Kali Grn brought me the humbling realization that I am more than a little out of touch with the Mobay Art Scene. He and his band are much beloved on the hotel circuit and based on the responses of the audience have garnered quite the local following. Though there are clear reggae influences, their sound is authentically millennial with clear melodious harmonies, dynamic instrumentals and clever thoughtful lyrics.
But if I talk about lyrics, I have to talk about Jeeby Lyricist, who by day is a student of law in Kingston (perhaps this is why he manages such quick-witted vernacular). The back-up singer was a little vocally disappointing (especially coming after those Reblz) but Jeeby weaves superb double entendres — his last song a tongue-in-cheek nod to masculine attempts at flirtation in this modern dancehall environment.
There are so many honorable mentions: Jah Meikle – whom I had the pleasure of first meeting some years ago in Kingston – is an excellent drummer and poet who makes combining rhythms look much easier than I imagine it would be. The dub poets Mentor and Fyah Marley, among others. Brian Brown himself. And the ineffable, inimitable Carla Moore who closed the show.
My greatest vexation about this event is that I missed Carla Moore’ performance. For those who don’t know, Carla comes to us from UWI’s Western Campus where she lectures in the Institute of Gender and Development Studies. Before that she was in Canada, keeping touch with Jamaica through her vlog countryfromlongtime. Now she mostly Instagrams @mooretivation. I find her to be unerringly in tune with the ethos and angst of this millennial generation, and her unexpected words of inspiration have never failed to comfort me.
My quarrel, of course, is entirely with myself. My bedtime is around 10 o’clock these days and by midnight (when there were still five more performers) I was fighting sleep hard. I was overwhelmed, in a good way, by the crowd that populated Blue Beat’s modest open air terrace and that swelled with appreciation for the spoken (and sung) word. Next time I will know to wear comfy shoes, bring snacks/coffee, and stake-out a good seat at least an hour in advance.
All image credits to Di Foto Shoppe.